Henry Wilson: Practical Idealist

Book info: Henry Wilson: Practical Idealist (Hardcover, 266 pages) – Lutterworth Press, 2009. Language: English.

Henry Wilson (1864 - 1934) worked in a highly individual style, uniting influences from the Arts & Crafts Movement and Art Nouveau with his own interpretation of traditional forms, symbols and nature. Drawing on original archives, biographical details and insights from family members, this is the first published study devoted wholly to Wilson and his work. This book discusses examples of his work throughout the UK and in North America, where he designed the bronze entrance doors for a leading Boston tea importer and the great West doors of the Cathedral of St. John the Divine, New York. Of equal impact were his exhibition designs, and his influential teaching at the Royal College of Art, at the Central School of Arts and Crafts, and at the Vittoria Street School for Silversmiths and Jewellers in Birmingham. He began his career as Chief Assistant to the Gothic Revival architect J. D. Sedding, but felt increasingly drawn to the associated arts: church furnishings, sculpture, metalworking and jewellery. His remarkable achievements in these fields range from the breathtaking green marble fittings of St. Bartholomew's Church in Brighton, to the monumental Elphinstone Tomb in Aberdeen, and from strikingly original schemes of interior decoration and plans for a post-War craft village, to vibrant jewellery glowing with enamel and semi-precious gems. His role as Master of the Art Workers' Guild (1917) and as President of the Arts and Crafts Exhibition Society (1915-22) serve to confirm his significance in the context of early-twentieth century design and education. Editorial Reviews About the Author Henry Wilson has been a constant presence in Cyndy Manton's career since she took up a research post in Brighton, where, inspired by his interior for St. Bartholomew's Church, she chose his career as the subject of her PhD. She had initially worked in the field of decorative art as an assistant museum curator; after completing her thesis, she worked for many years as a lecturer in art, design and cultural studies in further and higher education. She left to concentrate on writing. It has always been her contention that no single aspect of Wilson's work can be viewed in isolation. Her extensive knowledge of his life and work, and the essentially interweaving nature of his achievements, are presented here in a full-scale study that brings together the diverse elements of his creativity and expertise.