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Forms, Formats and the Circulation of Knowledge: British Printscape’s Innovations, 1688–1832 (Library of the Written Word - The Handpress World, 83)

By Louisiane Ferlier, Benedicte Miyamoto

$190.64

$224.28

ISBN 9789004433663

Book info: Forms, Formats and the Circulation of Knowledge: British Printscape’s Innovations, 1688–1832 (Library of the Written Word - The Handpress World, 83) (Leather Bound, 312 pages) – Brill, 2020. Language: English. Forms, Formats and the Circulation of Knowledge explores the printscape – the mental mapping of knowledge in all...

Book info: Forms, Formats and the Circulation of Knowledge: British Printscape’s Innovations, 1688–1832 (Library of the Written Word - The Handpress World, 83) (Leather Bound, 312 pages) – Brill, 2020. Language: English.

Forms, Formats and the Circulation of Knowledge explores the printscape – the mental mapping of knowledge in all its printed shapes – to chart the British networks of publishers, printers, copyright-holders, readers and authors. This transdisciplinary volume skilfully recovers innovations and practices in the book trade between 1688 and 1832. It investigates how print circulated information in a multitude of sizes and media, through an evolving framework of transactions. The authority of print is demonstrated by studies of prospectuses, blank forms, periodicals, pamphlets, globes, games and ephemera, uniquely gathered in eleven essays engaging in legal, economic, literary, and historical methodologies. The tight focus on material format reappraises a disorderly market accommodating a widening audience consumption. Editorial Reviews About the Author Louisiane Ferlier, Ph.D. (2012, Université Paris Diderot), is the Digital Resources Manager at Centre for the History of Science at the Royal Society. She has published articles on John Wallis, the Bodleian Library and cross-Atlantic circulation of books.

Bénédicte Miyamoto, Ph.D. (2011, Université Paris Diderot), is Associate Professor of British History at Université Sorbonne Nouvelle – Paris 3. She has published on eighteenth-century drawing manuals, sales catalogues and art markets.

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