{"product_id":"art-in-the-making","title":"Art in the Making","description":"\u003cp\u003e\u003cstrong\u003eBook info:\u003c\/strong\u003e Art in the Making (Paperback, 344 pages) – Springer, 2023. Language: English.\u003c\/p\u003e\n \u003cp\u003eThis special issue publication of the Journal of Archaeological Method and Theory devoted to Pleistocene and Holocene arts examines a number of recent developments in the study of deep-time images. The contributions argue that in a context marked by new technological advances, the study of what was traditionally known as ‘prehistoric art’ has been transformed into a dynamic area of research marked by four main interrelated processes: (A) the inclusion of new corpuses of images beyond traditional conceptualizations of ‘prehistoric’ art, (B) the shift from a ‘contemplative model’ (which treated images and artefacts as ‘already made art’) to a ‘construction model’ that focuses on the processes involved in the making of artwork, (C) the transition from a Eurocentric model to a worldwide paradigm, and (D) the increasing incorporation of Holocene and Indigenous arts into general discussions about ‘prehistoric’ arts. This text appeals to students and researchers in the field. \u003c\/p\u003ePreviously published in Journal of Archaeological Method and Theory Volume 27, issue 3, September 2020Chapters Art (Pre)History: Ritual, Narrative and Visual Culture in Neolithic and Bronze Age Europe, Chapter An Archaeology of Affect: Art, Ontology and the Carved Stone Balls of Neolithic Britain, and Chapter Hidden Sites, Hidden Images, Hidden Meanings: Does the Location and Visibility of Motifsand Sites Correlate to Restricted or Open Access? are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.  \n\n                                         Editorial Reviews                   From the Back Cover   \u003cp\u003eThis special issue publication of the Journal of Archaeological Method and Theory devoted to Pleistocene and Holocene arts examines a number of recent developments in the study of deep-time images. The contributions argue that in a context marked by new technological advances, the study of what was traditionally known as ‘prehistoric art’ has been transformed into a dynamic area of research marked by four main interrelated processes: (A) the inclusion of new corpuses of images beyond traditional conceptualizations of ‘prehistoric’ art, (B) the shift from a ‘contemplative model’ (which treated images and artefacts as ‘already made art’) to a ‘construction model’ that focuses on the processes involved in the making of artwork, (C) the transition from a Eurocentric model to a worldwide paradigm, and (D) the increasing incorporation of Holocene and Indigenous arts into general discussions about ‘prehistoric’ arts. This text appeals to students and researchers in the field. \u003c\/p\u003ePreviously published as a Special Issue in the journal: Journal of Archaeological Method and Theory \"Art in the Making\"\u003cbr\u003eChapters Art (Pre)History: Ritual, Narrative and Visual Culture in Neolithic and Bronze Age Europe, Chapter An Archaeology of Affect: Art, Ontology and the Carved Stone Balls of Neolithic Britain, and Chapter Hidden Sites, Hidden Images, Hidden Meanings: Does the Location and Visibility of Motifsand Sites Correlate to Restricted or Open Access? are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.\u003cbr\u003e           About the Author   Oscar Moro Abadía's research and publications focus on several interrelated areas: Paleolithic archaeology, art history, the history and philosophy of science, hunter-gatherer studies and the history of archaeology. His primary research interest lies in the study of prehistoric and indigenous arts, with special attention to the history and epistemology of prehistoric images. \u003cbr\u003eManuel R. González Morales is a prolific researcher and author at the Instituto Internacional de Investigaciones Prehistóricas de Cantabria at the University of Cantabria. \u003cbr\u003e                                           ","brand":"Oscar Moro Abadia, Manuel R Gonzalez Morales","offers":[{"title":"Default Title","offer_id":46070469820650,"sku":"9783031184222","price":121.53,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0714\/5301\/6298\/files\/61OTD7Me_zL._SL1500.jpg?v=1781263856","url":"https:\/\/textbookme.store\/products\/art-in-the-making","provider":"TextbookMe","version":"1.0","type":"link"}